Starring (in order of appearance): Amanda Liz Cutting, Eric Pettifor, Megan Baldry, Alan Johnson, Samantha Braitenback, Onika Henry, Ben Francis.
Directed by Paul Welch; Producer, Emerald Tofte; Stage Manager/Assistant Director/Light and Sound designer, Troy Couliard; Set Designer, Nina Garcia; Costume Designer, Hanne Loosen; Apprentice Director/Assistant Stage Manager, Chelsey Fawcett. Set Builder, Eric Hope.
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In The Next Room (or The Vibrator Play) Artists
has a BFA in Acting from the University of Alberta and a BA in Psychology and Philosophy
from the University of Ottawa, and was recently recognized in Avenue Magazine’s
Top 40 Under 40 for a 15-year career as an award-winning actor, writer, director,
educator, and arts administrator. Past directing credits include facilitating the
Queer Theatre Creation Ensemble projects of This is How I Left, which was
nominated for a Critter Award for Best New Script, and The Passion of Sergius and Bacchus,
both for Third Street Theatre. Paul has assistant directed on Verb Theatre’s
The Dandelion Project, and has worked as a
Voice, Speech and Text coach on numerous productions in town.
Next up, Paul is directing the musical Red Riding Hood for Storybook Theatre.
has been performing since she was very young. She started her career in community theatre at the age of 12 and has been involved in the arts ever since. She graduated from Mount Royal University in 2010 and studied at Rogues Actors Studio. She was in productions such as Twelfth Night, Rimers of Eldrich, Les Miserables and Artist Collective Theatre’s Almost Maine, as well as Assistant Directing their production of The Goat.
bio to come
bio to come
is ACT's resident set builder, going all the way back to our innaugral production of
The Lonely Soldier Monologues where he created for us near indestructable
benches which served again in our production of Almost, Maine.
He worked on Hanne Loosen's first design for ACT, Spring, Awakening, and was
essential in bringing her vision into the realm of reality for
The Goat. On The Vibrator Play he does equal justice to the design of Nina Garcia.
has a B.F.A. in Performance from the University of Lethbridge.
Select acting credits include: Much Ado About Nothing, The BFG,
Hay Fever, Unidentified Human Remains and the True Nature of Love
(University of Lethbridge), i-Robot Theatre (Swallow-a-Bicycle Theatre),
Crime in the Madhouse (Organized Crime Productions),
The Underpants, Duranged! (Theatre BSMT), The Hobbit
(Storybook Theatre). Alan is also the co-founder of Red Phone Theatre,
where he is a director and a producer.
is extremely excited to be participating in the productions of Artists’ Collective Theatre.
As an independent theatre designer she worked for theatre and opera performances in Germany,
Austria, Belgium, Russia, the Netherlands and Canada (www.hanneloosen.be). Selected credits in Calgary include: The Goat (ACT), Spring Awakening (ACT), Five by Eleven (Sage Theatre), The Barber of Cowtown (Cowtown Opera) and The Real McCoy (Ellipsis Tree Collective). She is honored that ACT trusted her to follow her ideals as set designer.
is Calgary-born director, playwright, stage manager, actor and designer. Past credits include:
Stage Management: Fat Pig (Artists’ Collective Theatre),
Nine Months is Just An Arbitrary Number, Five By Eleven, A Beautiful View (Sage Theatre),
Five Women Wearing the Same Dress, The Basement Boys (Theatre BSMT) and
SEXXXY! (University of Calgary). Design: Measure for Measure
(University of Calgary, Sound), Five By Eleven (Sage Theatre, Sound),
Five Women Wearing the Same Dress, Basement Boys and Duranged! (Theatre BSMT).
||Stage Manager/Asst. Dir./Light/Sound|
is excited to be working with Artists' Collective Theatre's production of
In the Next Room or The Vibrator Play. She is a graduate
of the Bachelor of Applied Interior Design Program from Mount Royal University
and is currently an interior designer at Gibbs Gage Architects.
Past credits include Peter Pan (Set Design, Storybook Theatre),
Young Frankenstein (Front Row Centre Players),
Blitz (2014 Calgary Regional One Act Play Festival) and
Big (Storybook Theatre).
is extremely excited to be producing The Vibrator Play. Past theatre credits include: The Goat (Artists Collective Theatre), Almost, Maine (Artists' Collective Theatre),The Apple Kingdom (Calgary One-Act Festival), The Diary of Anne Frank (Morpheus Theatre). She feels privileged to be working with such an incredibly talented and inspiring group of people.
Amanda Liz Cutting is thrilled to be a part of The Vibrator Play.
Selected credits include Comedy of Errors (Luciana),
Macbeth (1st Witch),
Rumors (Chris), Frankenstein
(Elizabeth), Under Milk Wood (9 Characters), Until the Glass Stops Working (Gillian)
and a Poker Girls
webisode. She most recently appeared as Helen in ACT's production of Fat Pig.
She is a Mount Royal University Graduate in Theatre Arts
is a graduate of the Vancouver Playhouse Acting School and Artistic Dramaturg of Artists' Collective Theatre. He has directed for the company, and has appeared as Martin in ACT's production of The Goat, Easton in Almost, Maine and Sprugg in Boiler Room Suite. Most recently he appeared as Uncle Albert in Cowtown opera's Sing Along with Mary. He is thrilled to be part of The Vibrator Play.
is a graduate of Mount Royal University's Theatre Performance program.
Select credits include: Persephone (Full Circle Theatre),
A Midsummer Night's Dream (Full Circle Theatre),
Othello (Shakespeare in the Park). Megan is beyond
excited to be working on The Vibrator Play
and to be in the company of such an inspiring group of theatre
(a real Englishman) is a graduate of the master class program at the
Company of Rogues Actors Studio. Select theatre credits include: All in Good Time
(Workshop Theatre), The Rimers of Eldritch (Company of Rogues),
The Bar off Melrose (Company of Rogues), Almost Maine
(Artists Collective Theatre), and The GoatK (Artists Collective Theatre). Ben is thrilled to be working with such a talented group of people and hopes you enjoy the show!
holds a Ba(H) in Dramatic arts from the University of Windsor as well as an
international performance license in Middle Eastern dance ethnology.
Chelsey’s most recent roles include: Artistic Producer - Theatre BSMT, and directing:
The Servant – Urban Stories Theatre, Five by Eleven – Sage Theatre,
The Basement Boys – Theatre BSMT in which she was nominated
for director of the year in 2014. Chelsey works as a freelance director in Calgary.
The 2014/15The Shape of a Girl School Tour proceeds apace. Please consider donating to help us bring the show to schools who can't otherwise afford it.