has been performing since she was very young. She started her career in community theatre at the age of 12 and has been involved in the arts ever since. She graduated from Mount Royal University in 2010 and studied at Rogues Actors Studio. She was in productions such as Twelfth Night, Rimers of Eldrich, Les Miserables and Artist Collective Theatre’s Almost Maine.
This is Darcy Wilson’s first encounter with Artist’s Collective Theatre and it has been a wonderful experience. Having worked with a majority of the production team/cast on Diary of Anne Frank (Morpheus Theatre) is a big plus for Darcy because he gets to jump straight into the project without having to figure out artistic styles. A graduate from the University of Calgary, Darcy has been involved with stage and television in various levels of fervor for over twenty years. Look for him next as the apocalyptic preacher in the Zombie flick Breakdown Lane - currently in post production.
is a graduate of the master class program at the Company of Rogues actors studio. Select theatre credits include: All in Good Time, The Rimers of Eldritch, The Bar Off Melrose, and Almost, Maine. Ben is thrilled to be working with Artists' Collective Theatre and hopes you enjoy the show!
is extremely excited to be producing The Goat. Past theatre credits include: Almost, Maine (Artists' Collective Theatre),The Apple Kingdom (Calgary One-Act Festival), The Diary of Anne Frank (Morpheus Theatre). She feels privileged to be working with such an incredibly talented and inspiring group of people.
Amanda Liz Cutting
is thrilled to be directing The Goat. Recent directing credits include Morpheus Theatre's production of The Diary of Anne Frank, assistant director of StoryBook Theatre's The Last Five Years and Peter Pan, as well as directing ACT's productions of The Shape of a Girl, Boiler Room Suite, and Spring Awakening. She is a Mount Royal University Graduate in Theatre Arts.
is extremely excited to be participating in the productions of Artists’ Collective Theatre.
As an independent theatre designer she worked for theatre and opera performances in Germany,
Austria, Belgium, Russia, the Netherlands and Canada (www.hanneloosen.be). Recent credits in Calgary include: Spring Awakening (ACT), Five by Eleven (Sage Theatre), The Barber of Cowtown (Cowtown Opera) and The Real McCoy (Ellipsis Tree Collective). She is honored that ACT trusted her to follow her ideals as set designer.
||Set and Costume Design|
is a 2013 graduate from the University of Lethbridge, with a BFA in Tech and Design.
She has recently worked closely as a Lighting Designer and/or Stage Manager on the
following productions; Calgary Fringes: WILF, Straight on Till Morning,
Spring Awakening: The Musical, Stick Rag Idols, Ignites: Dance Series,
Opaque, Shape of a Girl, Almost Maine and Cowtown Operas:
The Bachelor Cabaret. Lisa recently worked with Ghost River
Theatre and ATP on The Last Voyage of Donald Crowhurst workshop
as the Technical Director. She has also worked with Diabolique Films on the
Bloodmania Mini Series as an Assistant Casting Director.
Lisa looks forward to working with ACT again on such an exciting show
is an actor, director, musician and teacher. She has studied theatre in various venues over the years and considers herself a lifelong student of the craft, enjoying the challenges that any new production will offer. This is her second production with ACT, having worked on the award winning musical, The Apple Kingdom as Music Director. Recent acting credits include Ivy in August Osage County, Mrs. Frank in The Diary of Anne Frank and three episodes of Hell On Wheels for TV.
is thrilled to be a part of ACT’s production of one of Edward Albee’s most challenging works. He has been active in stage and screen work for many years while working as a writer and Creative Director for ad agencies from Toronto to Vancouver and has created and appeared in multiple TV commercials and commercial videos. Recent stage roles include Virgil’s Wedding, The Good & Faithful Servant and Move Over Mrs. Markham.
ACT Theatre debut. Other credits include: L’incoronazione di Poppea (COSI),
Barber of Cowtown (Cowtown Opera),
Touch Me: Songs for a disconnected Age (Forte Musical Theatre Guild),
Love Train (Stage West Calgary), BIG the Musical (StoryBook),
I Love You Because (Stage West Calgary), Grease (St. Clair College).
Liz received her BFA focused in Theatre Performance Production from Ryerson University and
an Advanced Diploma in Entertainment Technology from St. Clair College. Liz would like to
thank her family and friends for always supporting her throughout her dreams in theatre and events.
Keri Lyn Halfacre
is a graduate of Red Deer College’s Theatre and Entertainment production program. She’s excited to be part of her second ACT production as props master (first being Spring Awakening). Recent theatre credits include Steven Evanik’s A Spark Extinguished (designer) and Joe Semenoff’s The Health Inspector (props master), both at Pumphouse Theatre’s One Act Festival. Recent film credits include set dressing for Forsaken and the TV series Fargo.
||Props and Set Dressing|
's recent credits include Adventures of a Comic Book Artist, Aunt Maggity’s Dark and Stormy Night, and and the
film and tv side was in a Crime Stoppers episode, and was 3rd assistant director on Gordon Herschell Lewis' Bloodmania.
||Front of House|
is a graduate of the Vancouver Playhouse Acting School and Artistic Dramaturg of Artists' Collective Theatre. He has directed for the company, and most recently appeared as Easton in ACT's production of Almost, Maine and Sprugg in Boiler Room Suite last year. This is the second time he has had the good fortune to be married to Charlotte, since he played Otto Frank to her Edith in Morpheus' production of The Diary of Anne Frank. He is grateful for the challenge of playing Martin in The Goat.
is ACT's resident set builder, going all the way back to our innaugral production of
The Lonely Soldier Monologues where he created for us near indestructable
benches which served again in our production of Almost, Maine.
He worked on Hanne's first design for ACT,
Spring, Awakening, and has been
essential once more in bringing
her vision into the realm of reality for
The 2014 The Shape of a Girl School Tour proceeds apace. Please consider donating to help us bring the show to schools who can't otherwise afford it.